Is breaking HD-DVD DRM a bad thing?
Wednesday, February 21st, 2007Solveig Singleton over at IP central presents a view that breaking DRM might not be a good thing. The post pulled me up a little. I’m very happy that the DRM has been broken on the next generation of DVDs. Solveig asks why it’s a good thing and the answers to his questions are not obvious.
Is DRM bad for consumers? They’re free to walk away are they not he asks. I don’t think this is sufficient but I’m happy to be proved wrong.
First of all, it’s simple to walk away from commodity items or find substitutes. Creative works such as films are not easily substitutable – you can’t argue that if you’re unhappy with the DRM on the latest Tom Cruise film, you can just not watch it or watch the BBC instead. Each work is a little monopoly in it’s own right.
Could you simply buy the DVD instead of the High Defenition version? Sure but it’s got it’s own DRM and I challenge anyone to be able to find a VHS copy of this years oscar winners.
Secondly, the markets argument implies that DRM protected content will be cheaper since the studios will be able to charge different prices for people that want different versions of the film. But they’re clearly not even attempting to do this. There’s no version of any film available today which allows me to pay extra to copy it onto my iPod and the studios have shown no willingness to do this.
Yes it’s wrong to copy your friends DVD, but it’s not wrong to make a backup of that copy of Shrek 2 so your kids can’t destroy the original, or to move a copy to your iPod to watch during a train ride. These legal rights have been taken away by DRM and as such it should be good that it’s been broken. Don’t even get me started on region coding which is a transparent attempt at market manipulation.
People are willing to pay for entertainment as shown by the amount of money spent on DVD sales today. For some reason they’re even willing to pay more to watch it in high defenition. The studios are attempting to turn a simple purchase transaction into a one sided licience and this drives people crazy. You bought it, you own it, you can do a bunch of stuff with it as long as you don’t copy it and sell the copies. No sane person would argue with this. Why can the studios not see that?
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